Thursday, October 20, 2016

Dans la Nuit by Worth c1924

Dans la Nuit by Worth: (In the Night) launched in 1922 in France, it was available in a wider distribution in 1924. This was Worth's signature fragrance; created by Maurice Blanchet; it was initially a gift to distinguished clientele of the fashion house. The perfume’s production was halted during WW2, it didn’t reach counters on US shores again until 1953.

Sunday, October 16, 2016

Collecting Pink Glass Commercial Perfume Bottles

Commercial bottles made up of pink glass are quite uncommon and command high prices when found. The rarest of these bottles are the stunning opaque pink crystal examples manufactured by Baccarat in the 1920s and 1930s. Baccarat enjoyed pairing the bubble gum pink glass with silver gilt trim, which for the era, was probably very avant garde and modern. To further enhance the bottles and to give them an air of luxury, enameled stopper covers were often added to the bottles.

Tuesday, October 11, 2016

Midnight Poison by Christian Dior c2007

Midnight Poison by Christian Dior: created by Jacques Cavallier and Olivier Cresp of Firmenich in collaboration with Francois Demachy of LVMH in 2007.

Friday, September 30, 2016

Magie Noire by Lancome c1978

Magie Noire by Lancôme: launched in 1978. Created by Gérard Goupy. It was the first new fragrance from Lancome for a decade and has earned a place amongst its beloved classics.

Thursday, September 22, 2016

L'Origan by Coty c1905

L'Origan by Coty: launched in 1905. Some of you may remember L'Origan as the scent of Coty's famous Airspun Face Powder.

Sunday, September 18, 2016

Dioressence by Christian Dior c1979

Dioressence by Christian Dior: created by Guy Robert and launched in 1969.

Dioressence was first available as a bath oil concentrate, to help condition and perfume the skin. In the same year, it was also available as body lotion, cologne spray concentre and eau parfumee spray (an eau de parfum), followed by friction lotion, foaming milk bath and hand soap. These items were sold from 1969 til 1975.

From 1979 onward, the fragrance was available in parfum, eau de toilette, body lotion, dusting powder, hand soap, talc, body cream, bath gel, solid perfume,

In 1982, the Dioressence Esprit de Parfum was introduced.

Thursday, September 8, 2016

Kali by Dana c1950

Kali by Dana: launched in 1950, some sources say 1933, but Dana trademarked the name in 1952 and claimed use since 1944.

The name Kali refers to a Hindu goddess with a long and complex history in Hinduism. Sometimes presented as dark and violent, killing demons, Kali is also portrayed as a benevolent mother-goddess.

Thursday, September 1, 2016

Marathon Compacts & Vanities c1927 Advertisement

Beautiful engine turned and enameled compacts and vanities by Marathon in an advertisement from a 1927 Huntley & Co. catalog. These compacts were stated to be made up of "white gold composition silver", in other words, a white metal alloy made to look like white gold or sterling silver. 

#179 was set with "French marcasites" and an amber stone.

Friday, August 26, 2016

Antilope by Weil c1928

Antilope by Weil: launched in 1928. The perfume was trademarked in 1931 and was relaunched after WWII ended in 1945. Created by Claude Fraysse.

c1947 ad

Friday, August 19, 2016

Breidenbach et Cie., Ltd

Breidenbach et Cie., Ltd was established by Aaron Page at Park Street, Grosvenor Square, London in 1793. Aaron Page was listed as a hairdresser, perfumer and distiller of eau de cologne.

Later the business was passed onto his son William, then onto his son-in-law Francis Henry Breidenbach on his marriage to his daughter Emily.

Francis Henry Breidenbach had been born in Cologne, did his training in Paris, subsequently was bestowed a Royal Warrant in 1841. He later moved to New Bond Street in 1852 and to then onto Burlington Arcade in 1900.

Sikkim by Lancome c1971

Sikkim by Lancome: launched in 1971, and created by Robert Gonnon.

Wednesday, August 10, 2016

Monday, July 25, 2016

Platine by Dana c1938

Platine by Dana: launched in 1938 in France and in USA by 1939.

The name means "platinum" and the bottles had silvery platinum foil flakes floating inside to resemble platinum. The fragrance was also released in Spanish-speaking countries as Platino.

Monday, July 18, 2016

Grigri by Weil c1943

Grigri by Weil: launched in 1943. The name pronounced "Gree Gree", is African in origin and means "magic charm" or "talisman." I believe that this perfume, with its exotic name and advertisements, was some sort of patriotic allusion to the French colonies in West Africa. Jean Patou, another French perfume manufacturer visited this theme with his perfume, Colony.

Friday, July 15, 2016

Xanadu by Faberge c1969

Xanadu by Faberge: launched in 1969.

Xanadu's futuristic packaging was created by J. Landowne Co, Inc and made by Wallace Packaging Corporation of New York.

Sunday, July 10, 2016

Tuesday, June 28, 2016

Bellodgia by Caron c1927

Bellodgia by Caron : launched in 1927, created by Ernest Daltroff. Pronounced "BELLO-JEE-AH". The perfume was inspired by the Italian town of Bellagio on Lake Como.


The history of perfume cannot forget the antique pomander. The pomander, from the French "pomme d'ambre" was a small case which held various herbs, spices or animal derived substances worn for protection and personal scent.

The earliest pomanders were actually balls of ambergris in which were mixed with spices and herbs. These would emit their scent when warmed in the hands and would be carried in the hands or bags. Convenience born out of necessity and the pomander case, henceforth known as the pomander were soon created.

The pomander could be in a variety of shapes, but the most common was a globular shape which would open up and reveal segmented partitions, much like an orange. This orange idea was taken directly from the old fashioned pomanders, the clove studded orange, which was rolled in spices which would hang inside of a closet or other area in the home that would need a little fragrance.

Other pomanders were made up of delicate filigree or ornately perforated to release the precious scents within. The most costly of pomanders were made up of gold, silver or ivory and could be decorated with enameled tracery, portrait plaques or set with jewels. These cases may be further enhanced with ornate chased details of fruits, flowers, figures, animals, scrolling and arabesques.
There are some examples that include other necessities of the day such as compasses, bottles that held liquid perfumes, needle cases, spoons, snuff compartments and vinaigrettes. The lesser expensive pomander cases were made up of brass, carved wood or nut shells. Many pomanders were worn suspended from a belt, bracelet, finger ring, neck chain or chatelaine, others were simply held in the pocket.

Large table pomanders known as pouncet boxes were also present. These held sponges saturated in aromatic vinegars. Sometimes smaller pouncet boxes were attached to the tops of canes of the clergy and doctors who would visit the sick and dying. Curiously, some of the staves of nobles and royalty were also topped by the pouncet box for ceremonial occasions.

The Great Plague saw a major increase in both aromatic vinegar and pomander use. Back then, people believed that most sickness was due to "miasma" or "bad air" and that smelling sweet smelling herbs, pungent vinegars or spices would prevent the "miasma" from entering the body through the nose. Citizens were desperate for anything to help combat the foul air and without today's medical knowledge, readily used anything that was suggested by the doctors of the time.

The 1799 book The Philosophy of Medicine notes that pomanders prescribed for the "richer sort, by the College, contains lignum aloes, which can be of no possible use when enclosed in an ivory box, because it emits its scent only when much heated or burning. Many of the people of Aleppo carry a little ball of Labdanum in their hands, or smell to vinegar in which rue has been steeped."

Pomanders were also employed to combat the stench of the cities, where sewage, animal dung and garbage overflowed the streets. In order to travel the streets without wretching, one would hold the pomander up to their nose and inhale the sweetened scents inside.

The word pomander, as we found earlier derives from the French phrase "pomme d'ambre" which means "apple of ambergris" due to the fact that many pomanders contained the waxy ambergris as an ingredient to protect the wearer from disease or ward off any other pestilences. The "apple" part of the phrase refers to the shape of the pomander, which in some instances be fashioned in an apple, pear or pomegranate shape.  More rare examples are book shaped, or fashioned into sailing ships and more morbidly, skulls that were known as memento mori. Other than the fruit shapes, the most common examples are vase, urn, acorn and egg shapes.

In the case of the segmented pomanders, some of the partitions would be labeled as to the contents within such as the case of some German examples: Rosen (rose), Ruten (rue), Citronen (lemon),  Rosmarin (rosemary), Muskaten (nutmeg), Augstein (amber), Thymian (thyme), Schlag (ambergris, musk and civet mixture), Canel (cinnamon), Negelken (cloves), Jnger B (ginger balsam), Majoran (marjoram), Lauendel (lavender), Zimbt (cinnamon), Annis (anise), Meiraen (myrrh).

Other examples have the names of liturgical: Mateus, Johannes, Lucas, Marcus and other may have the names of mythological figures: Venus, Juno, Minerva and Paris.

Another name for a pomander was a "sweet-ball" as noted in the 1677 book A Large Dictionary, it also mentioned that a pomander was "a preservative against some evil."

1702's Dictionnaire royal francois-anglois (et anglois-francois) describes a pomander as a "sweet ball, pomme de senteur."

The A New Complete English Dictionary of 1770 says that a pomander is a little round ball made of several perfumes; a musk ball."

Arzneiwissenschaftliches Wörterbuch, 1788:
"Pomambra, Pomum ambrae, Geruchball ein wolriechender Ball der nemlich aus Ambra und andern wolriechen den Substanzen zusammengesetzt ist Es werden mehrenteils der graue Amber, Bisam, Zibeth, Ladanum, Benzoin, gemeiner /Storar, Zimmetöl. Gewürz mittelst des Schleimes eines Gummi grosse apfelförmige Kugeln gebildet um dadurch einen Wolgeruch zu verschaft sen. F. Pastille.G A Smell ball, Pomander, Muske ball. H. Ein Amber bal Reuk-bal."
"Pomambra, Pomum Ambrae, smell ball, perfume, a fragrance ball namely from Amber and others, composed the substances are more part of the gray amber, musk, civet, myrrh, benzoin, common styrax, cinnamon spice, means the mucus of a rubber large apple-shaped balls formed thereby a pleasant smell.  F. Pastille.G. A Smell ball, Pomander, Musk ball. H. An Amber ball, Smell-Ball."
The Elizabethan and Renaissance eras produced some of the finest pomanders of all time. Richly gilded, adorned with jewels, these works of art can be found in many portraits of royals and nobles alike. It is said that Queen Elizabeth I was given several pomanders and in some of her portraits, you can see different examples.

The Reliquary and Illustrated Archaeologist, Volumes 5-6, 1867:
 "Perfumes, says Mr. Rimmel, did not come into general use in England until the reign of Queen Elizabeth. Howes, who continued Stowe's Chronicle, tells us that they could not make any costly wash or perfume in this country until about the fourteenth or fifteenth year of the Queen, when the Right Honourable Edward de Vere Earl of Oxford came from Italy, and brought with him gloves, sweet bags, a perfumed leather jerkin, and other pleasant things, and that year, the Queen had a pair of perfumed gloves trimmed only with four tufts or rows of coloured silk. She took such pleasure in these gloves, that she was pictured with them upon her hands, and for many years afterwards it was called the Earl of Oxford's perfume. 
On another occasion, Queen Elizabeth visiting the University of Cambridge, was presented with a pair of perfumed gloves, and was so delighted with them that she put them on at once. She also usually carried with her a pomander or "pomme d'amber", which was a ball composed of ambergris, benzoin, and other perfumes, and she was once mightily pleased with a "faire gyrdle of pomander" which was a series of pomanders strung together and worn round the neck. These pomanders were held in the hand to smell occasionally and were supposed to be preservatives from infection. They were very generally used as may be seen from the portraits of the period. Their exact ingredients are thus described in an old play: 
'Your only way to make a good pomander is this: Take an ounce of the finest garden mould cleaned and steeped seven days in change of rose water; then take the best labdanum, benzoin, both storaxes, ambergris, civet, and musk; incorporate them together and work them into what form you please. This, if your breath be not too valiant, will make you smell as sweet as any lady's dog.'
In Drayton in his "Queen of Cynthia" also alludes to pomanders in the following lines: "
And when she from the water come.
When first she touched the mould.
In balls the people made the same.
For pomanders and sold." 
Some of these pomanders consisted in globular vessels containing strong perfume and perforated with small holes, not unlike our modern pocket cassolettes. The earliest illustration of this favourite toilet requisite occurs in the Scaphae Fatuarum Mulierum (Boat of Foolish Women), a series of five caricatures published by Jodocus Badius in 1502 and intended to flagellate the abuse made of the five senses. The annexed engraving represents the Boat of Foolish Smells in which are three ladies, one of whom is holding some flowers she has gathered and smelling at the same time a pomander which her friend has bought from an itinerant vendor of perfumes."

In 1864, the perfumery company of Piesse and Lubin recreated Queen Elizabeth I's pomander. A newspaper ad reads: "Queen Elizabeth's Pomander - Piesse and Lubin have produced and exact copy of the Pomander, or Scent Casket, as worn by Elizabeth, suspended from her girdle. It contains six prophylatick odours, of rare excellence. These copies have been made by permission of the Lords Commissioners of Science and Art, according to the original in Kensington Museum. Price £3. 2s. On view at 2, New Bond Street."

Piesse & Lubin's recreated pomander consists of a gilt metal ovoid shape, with cast foliate panel decoration and applied with six small oval porcelain plaques painted with portraits of girls and young ladies, The piece measures just 7.5cm (3in) high.

Inside a pomander one could find the following substances, mostly in a dried or resinous form:

  • Agarwood
  • Ambergris
  • Balm
  • Benzoin
  • Calamus
  • Camphor
  • Cinnamon
  • Civet
  • Cloves
  • Frankincense
  • Gum arabic
  • Labdanum
  • Lavender
  • Lignum aloes
  • Mace
  • Marjoram
  • Musk
  • Myrrh
  • Nutmeg
  • Orris Root
  • Rose oil
  • Rosemary
  • Rose Water
  • Sandalwood
  • Scented water
  • Spikenard
  • Storax
  • Styrax
  • Tragacanth
  • Turpentine

Pomanders fell out of favor as the vinaigrette, snuff boxes, cassolettes and smelling salts containers were ushered onto the scene in the early to mid 1700s. Today, antique pomanders are very rare objets de vertu and command high prices when presented for sale.

Recipes for Pomanders from the 1705 book, Beauties Treasury, or the Ladies Vademecum, complete with the original spellings:

“An Odiferous Balsam to Comfort the Brain, and revive the Spirit:

Oil of musk one dram, oil of cloves six grains, Oil of Lilies of the Valley three grains, and a little Virgins-Wax; mix them all together, according to Art: Anoint the Nostrils with it, and you will find it very refreshing and pleasant.

Cloves, Cinnamon, Lavender and Nutmegs of each two Drams, Oil of Cloves, Oil of Lavender, Angelica and Spike of each half a Scruple; Wax four Drams, Musk and Amber of each three Grains, all which being mixt, and made up into a Balsam, will be of the same use and Vertue as the former.

A Perfumed Composition, to carry about in a Silver Box. 
True Jessamine-Butter half an Ounce, Essence of Orange Flower, Essence of Cinnamon, Oil of Orange Peel, Oil of Nutmegs, Essence of Roses of each half a Scruple; Flowers of Benjamin one Scruple, Essences of Musk, Amber and Civet of each half a Scruple. All these must be work’d well together in a cold and small Marble Mortar, and then use it.

Perfumed Pastes, or or Pomanders for Bracelets.
Storax Calamita and Labdanum of each a Dram and a half; Benjamin one Dram, Cloves, Mace, Wood f Aloes, Lavender-Flowers, of each half a Scruple; Musk and Ambergrease of each four Grains, a little Turpentine, Gum Tragacanth dissolv’d in Rosewater as much as will suffice; mix them well in a warm Mortar, and make them all into a Paste for Use.

Another Pomander of exceeding pleasant Smell, and of great Virtue against Pestilential Airs and the Fits of the Mother:
Florentine Iris Roots, Cloves, Mace, Cinnamon of each half an Ounce, Yellow Saunders, Storax Calamita, and Benjamin of each two Drams, Ambergrease one Dram, Musk of Alexandria half a Dram, Balsam of Peru, and Oil of Rhodium of each a Scruple: Mix all well together, and add two Drams of Civet. If you think it too chargeable, you may make half the Quantity.

Trochises of Roses:
The Shavings of the Greenest Cypress-Wood one Ounce, Florentine Iris six Ounces, Calamus Aromaticus three Drams, Wood of Aloes six Drams; Pound them altogether. Then take three or four Hundred Red Damask-Roses clean pick’d, beat them in a Mortar with a Wooden Pestil, when they are half beaten, put in the Powder, then pound them again, moistning them with a little Damask Rosewater, and when they are very well mixt, make them up into little Trochisces, and dry them in the Shade.If you would heighten the Perfume, add Musk and Ambergrease, as much as you think fit, powdering the Musk, and dissolving the Ambergrease in Rosewater, and then mix it with the rest. This may be us’d in making Musk-Soaps, and Sweet-Powders as well as Pomanders.

A Pomander made of this Trochise:
The Trochise of Roses above mention’d half an Ounce, the best Labdanum two Ounces, Storax Calamita and Benjamin of each an Ounce, Violets powder’d one Ounce, Amber and Musk of each half a Dram, Powder which is to be powder’d, mix them all well together, and work them well into a Paste, of which you may make excellent Pomanders of a very durable Scent.

A curious Perfume, to put in Pocket-Boxes, or Heads of Canes, to Chear the Spirits, Ease Pains in the Head, and prevent Fainting Fits or Swounings, bad Smells, or infectious Airs:

Purest Jessamine Butter half an Ounce, Essence of Orange Flowers two Drams, Chymical-Oil of Cinnamon two Drops, Essence of Roses one Scruple, Essence of Amber, Musk and Civet o each half a Scruple, work them together in a Marble or other Stone-Mortar, set in a cool Place, and do it quickly, that as little of the Scent may fly out as possible, and then put it up in Boxes of Ivory, Silver, etc, with Covers to unskrew or take off, and under those Covers little Holes, to let out the Scent as Occasion requires, and so these may be put into the Head of a Cane, a little Knob placed on a Busk, or at the End of a Fann, in a Hollow Ring, it being a very Rich and exceeding wholesome Perfume. 

Sunday, June 19, 2016

Cavale by Faberge c1975

Cavale by Faberge: launched in 1975. Cavale, a poetic name for a mare in French.

The name was trademarked in 1977, and Faberge claimed its use started in 1975.

Sunday, June 12, 2016

Saturday, June 11, 2016

Tuvara by Tuvache c1948

Tuvara by Tuvache: launched in 1948. The name Tuvara was trademarked in 1965 by Tuvache. The name Tuvara comes from a species of the cassia plant and was also the name of Mme. Tuvache's daughter.

Monday, May 30, 2016

Envol by Lancome c1957

Envol by Lancome: launched in 1957. Created by Armand Petitjean (some sources note that Jean Hervelein composed it).

Tuesday, May 24, 2016

Tu Reja by Myrurgia c1920

Tu Reja by Myrurgia: launched in 1920. The name means "Your Window Grille" in Spanish and refers to the flower covered iron grilles found on balconies in Spain.

Tuesday, May 10, 2016

Shocking by Schiaparelli c1936

Shocking by Schiaparelli: created by Jean Carles and launched in 1936 in France and 1937 in the USA. It was named after a particular shade of hot pink that she named, "Shocking Pink", which was also used by designer Paul Poiret, her mentor.

Saturday, April 30, 2016

Or et Noir by Caron c1949

Or et Noir by Caron: launched in 1949. Pronounced "OR-AY-NWAR", the name means "gold and black" in French. Created by Michel Morsetti, in homage to Ernest Daltroff and the tradition of Parfums Caron.